Director: Fairouz Hassan
Short | Hybrid | PS | Production

Synopsis:
An experimental documentary film that follows martyr posters across cities, tracing how walls become a living archive of memory, loss, and resistance. Through close observation of weathered, torn, and repeatedly replaced images, that reflects on how public space preserves grief while time, violence, become witnesses to different ways of death

Fairouz Hassan is a Palestinian filmmaker, curator, and interdisciplinary artist a Film Directing graduate of Dar Al-Kalima University. Across experimental cinema, documentary, installation, and audiovisual performance, she investigates memory, political absence, imprisonment, and grief through archival, fragmented imagery. Lovely Butterfly (2026), tracing her father's twenty years in Israeli prisons through their letters, premiered at Visions du Réel, with selections at Cannes, Curtas Vila do Conde, and FIDCampus (FIDMarseille). Recent works: False Vectors (2025) with Muqata'a, and A Tree Fenced In (2025)installation. She curated We Are Not A Spectre at Dar Jacir and shorts for Ekrani i Artit.